But time cannot alter the longing, in language, for connection. Precisely because the effect is cumulative, is a metonymic progression, it is difficult to provide an analysis in this space of how she accomplishes this task. Sometimes, it is with what seems to me an odd choice for an English rendering.
Unter der 'Coupole'. Die Paris-Feuilletons Hermann Wendels 1933-1936
Here is a tiny instance of that:. I might have been tempted, here, to reach a little more. That the braying stands in for the poet in itself gives pause. Celan is always leaving.
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That is, he is always disappearing into the obliquity of his own interior, reappearing seemingly with effort, with a certain pomp that may simply be the awkardness, again, of transiting syntax, so conversation seems performed:. And Jean Daive, the acolyte, panting for acknowlegement, appreciation, suffers from this distance, yet in that inimitable French way of seeing things for what they are, knows himself how to keep an ironic distance. Re: the wartime deportation of his parents, for example, which he dislikes talking about.
I listen above all to his jerky diction that detaches every word, almost every syllable. The words so detached plunge into a state of waiting that indefinitely prolongs my listening.
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Paul creates an aquarium effect that muffles what he communicates, makes it hard to hold onto, hold onto immediately. Tapa blanda. Condition: Como nuevo. Seller Inventory FF1A Items related to Le sang des immortels French Edition.
Georges Lacour-Gayet (1856-1935)
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